Blog From Beyond the Grave

I'm a loser with way to much time on his hands. I'll occasionally write opinions on comics here, or do the even rarer art post, however I'll mostly just be rebloging things I think are cool. My personal whining tag is Blooging about it, so if you want to block that now please do so.


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super-greenmario:

Well Takamaru just got deconfirmed

GOOD

TIME FOR MACH RIDER TO MAKE A COMEBACK

image

posted on 7/28/2014, with 32 notes (source: super-greenmario) — reblog

For years now, comics have gotten lost in the noise of Comic-Con — but this year felt like the worst example of that. The comic-book companies seemed to have a harder time than ever breaking through the clutter, and there weren’t really a lot of big announcements. We got more details about Spiderverse and Grant Morrison’s Multiversity, but a glut of alternate universe stories didn’t feel especially fresh at this point.

The Biggest Winners And Losers Of Comic-Con 2014!

I wish I knew which staffer wrote this paragraph, because I’d love to sit them down and tell them why they’re wrong. I was at the show this year and all I saw were people excited as HECK for comics. I spoke to several rooms packed FULL of people, with lines around the corner, who wanted to see Image creators. I was on a manga panel where a crowd of people cheered or gasped or laughed at our choices for best and worst manga. I personally spoke to several dozen of people a day who wanted to read Rocket Girl or Lazarus or Deadly Class or Kung Fu Bible Stories. I watched Jasons Aaron and Latour blow through their signing lines. I watched Scott Snyder hustle to make sure the fans were right. I watched Kelly Sue DeConnick do her thing with aplomb at what seemed like every single moment of the show, and I watched Chip Zdarsky and Matt Fraction make a couple hundred people a day smile goofily. People kept telling me how good the panels were and how it made them fans of authors they’d never heard of before. One cosplayer said that sneaking her into the Saga signing made her whole weekend.

And that was just the experience of one man working one booth. Boom! was hopping. Fantagraphics looked great. Vertical had some of the best books at the show.

If you were at SDCC and you don’t think comics had a fantastic presence, if you’re judging the significance of comics through whatever announcements to buy things that aren’t out yet came through, you need to adjust your sights. You’re aiming in the wrong direction.

Judge it by the smiles, not the capitalism.

(via thecaptivephantom)

I thought Fantagraphics wasn’t attending, didn’t they have a sale over not being at Comic Con?

posted on 7/28/2014, with 32 notes (source: iamdavidbrothers) — reblog
posted on 7/28/2014, with 96,814 notes (source: lawebloca) — reblog
books0977:

Woman reading (c.1912). Karl Alexander Wilke (1879 Leipzig - 1954 Wien). 
Wilke was a German-Austrian painter, illustrator and stage designer. From 1905 to 1918 he was a staff member of the Austrian humour/men’s magazine, Die Musketethe.
posted on 7/28/2014, with 2,424 notes (source: books0977) — reblog
70sscifiart:

Moebius
posted on 7/28/2014, with 379 notes (source: 70sscifiart) — reblog
mercurialblonde:

Stretch from Texas Chainsaw Massacre 2I was thinking while reading Carol Clover’s book, Men, Women, and Chainsaws how much of a badass the final girl is in a slasher flick.  And how she is probably does more against greater odds than any significant superhero male or female.  I mean when Wonder Woman fights I dunno, Cheetah or whatever, that’s largely an arms race of powers up against each other, and mortality is rarely on the table.  But the final girl is usually up against a force that is much stronger than her, and beyond that is terrified out of her mind because she’s seen all of her friends, family, and generally all structures that you would point to as possible points of safety—even her home itself, completely get torn apart by this unstoppable force, that seems impervious to anything.  But still you get things like Laurie Strode in Halloween trapped in a closet that her killer is quickly tearing through, fashioning a weapon out of a clothes hanger to jab in his eyes.  What’s cool about the final girl is that she(and it’s almost always she) takes all of the shit that can possibly be thrown at a human being, endures it all, and then overcomes it at the end and is the force for ejecting the slasher from the narrative.  It’s pretty amazing.The other cool thing with slasher flicks is that they prove that men will watch and identify with a movie where a woman is the hero.  Which is apparently an impossible idea for the folks over in superhero movies.
posted on 7/28/2014, with 40 notes (source: mercurialblonde) — reblog
rogerwilkerson:

Puritan clothing ad detail, 1961, art by Bob Peak
posted on 7/28/2014, with 542 notes (source: rogerwilkerson) — reblog
posted on 7/28/2014, with 98 notes (source: poodlefuzz) — reblog
posted on 7/28/2014, with 59 notes (source: animatethat) — reblog
posted on 7/28/2014, with 82 notes (source: daysandnightsfallingbyme) — reblog
posted on 7/28/2014, with 256 notes (source: slowartday) — reblog
posted on 7/28/2014, with 5,722 notes (source: hangmrkite) — reblog
ghosts-in-the-tv:

Cover art for Bob Shaw’s book One Million Tomorrows by Leo and Diane Dillon, 1970
posted on 7/28/2014, with 282 notes (source: ghosts-in-the-tv) — reblog
posted on 7/28/2014, with 393,934 notes (source: iheardtheysuck) — reblog
posted on 7/28/2014, with 43,998 notes (source: monettes) — reblog